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	<title>Dean Erdmann copy 1</title>
	<link>https://deanerdmann.xyz</link>
	<description>Dean Erdmann copy 1</description>
	<pubDate>Tue, 18 Nov 2025 02:22:29 +0000</pubDate>
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		<title>And, Apollo</title>
				
		<link>https://deanerdmann.xyz/And-Apollo-1</link>

		<pubDate>Tue, 18 Nov 2025 02:22:01 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

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		<description>AND, APOLLO



And Apollo, A Laboratory&#38;nbsp;
And, Apollo: A Laboratory, is the first chapter of an ongoing work thatcombines experimental documentary, video, and sculptures to grapple with collisions between biography and history. The narrative of And, Apollo is anchored in the Mojave Desert, the place where I grew up and now a landscape for my exploration of Americana, the body, and queerness.

Using artifacts and storytelling from the California desert, And, Apollo reverberates with links between the Cold War space race, militarization, technological acceleration, ATV (All-Terrain Vehicle) recreation, class, and meth addiction. I distill what seem to be unrelated histories and cultural expressions, rituals and diseases, into a narrative that crystallizes connections between the deeply personal and the geopolitical.









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	Untitled (Phytochemicals), 2020
Ephedrine Installation: Modified glass vessels, Ephedra sinica (Ma Huang), Ephedra distachya, Sida cordifolia (Bala), Pinellia ternata (Ban Xia), soil, desert sand, rock. 
	Ephedrine, a primary ingredient in methamphetamines, was synthesized from Ephedra Sinica, also known as Ma Huang, a plant used in Chinese herbal medicine for asthma, coughs, congestion and other lung issues.&#38;nbsp; Methamphetamines were first developed in Germany by Japanese chemists, Nagai Nagayoshi in the 1890s, and then refined by Ogata Akira in the early 20th-century.&#38;nbsp;




	

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		<title>COLT</title>
				
		<link>https://deanerdmann.xyz/COLT-1</link>

		<pubDate>Tue, 18 Nov 2025 02:22:10 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

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	COLT




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2011 
Three vintage porn films are woven together into an aural/visual fabric where bodies morph into others and fragment into sound as the already eroticized visual is transformed, creating a new visceral experience.
Colt rearticulates the frisson of pornographic sexual exchanges, generating a caustic tactile convulsion that questions the confines of the body and its representation. Erdmann interlaces, or "weaves," as she describes, numerous porn films from the early 80s into a spastic installation. The fuckers sport cultural signifiers – plaid shirts, uniforms, weathered cut-offs – though quickly shucked, these articles convey the performative masculinity that these physical figures embody. Their eventual consumations come off like meaty rituals, almost tragicomic in the guileless, brutal thrusts of phallic bodies. 
                                                                 - Dirty Looks NYC






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		<title>Donut2</title>
				
		<link>https://deanerdmann.xyz/Donut2</link>

		<pubDate>Tue, 18 Nov 2025 02:22:12 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

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		<description>DONUT



2008
TRT: 7 Minutes, endless loop
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Roiling tufts of sand rise up from the horizon line in slow motion, hushed and capacious clouds that spill across the ground such that the split between earth and air, hard and soft, dissolves. A four-wheeled ATV with an anonymous driver alternately appears and disappears, entering from the right, disappearing into the haze, then reappearing on the left, a ghostly apparition who only once in the video's seven minutes resolves clearly, a real figure with helmet, goggles and gloves.

This tumultuous, yellow-hued landscape and its elegiac nod to the murkiness of boundaries comes from LA-based artist Deanna Erdmann, a recent graduate of UCSD who in this project demonstrates a keen acumen, offering viewers an experience that is at once radiant conceptually and economical formally, achieving its goals without fanfare. Titled Donut, the video is installed as a rear-screen projection at Patrick Painter. Viewers enter the piece directly from the street, stumbling from the brightly lit sidewalk into the dark gallery where a large screen is suspended so that it touches the ground and divides the large room neatly in half. While you may initially be tempted to wander about, moving up close, behind and around the screen, the video yields a more potent experience for the viewer who stands still, pondering the patterns of dusty clouds as they billow up and then deflate in the warm glimmers of sunlight. The sound, a motor-like drone, is not haphazard, nor is the image sequence and the orchestration of absence and presence: watch it through, and you'll find a hushed lyricism and a clear pattern as the sandy scene demonstrates its quiet message.

- Holly Willis
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		<title>Info</title>
				
		<link>https://deanerdmann.xyz/Info</link>

		<pubDate>Tue, 18 Nov 2025 02:22:17 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

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		<description>


	&#38;lt;
	x&#38;nbsp;
	&#38;gt;






DEAN ERDMANN






	/ E /
deandoesit AT gmail.com

	BIOGRAPHY: dean erdmann is a 2018-2020 Vera List Center for Art+Politics Fellow, 2019 Urban Glass Fellow, 2013 California Community Foundation Fellow, and recipient Center for Cultural Innovation grant. Their work has been exhibited at ONE Archives, Mexicali Biennial, Hammer Museum, REDCAT, 21st Century Museum of Contemporary Art, Kanazawa, Spiral Hall, Tokyo, Kavi Gupta Berlin, the Sheila Johnson Design Center, Torrance Art Museum, and Public Fiction, among many others. Their public commission for the LA K-line Leimert Park Station opened Fall 2022. In 2024, their first international solo exhibition 38 opened at Louche Ops Berlin and their work is included in Scientia Sexualis, part of Getty's Pacific Standard Time at the Institute of Contemporary Art Los Angeles, and they are a Creative Glass Fellow at Wheaton Arts. erdmann is a 2025 Chinati Foundation Artist in Residence. They are an Assistant Professor of Visual Arts at University of California San Diego.


	
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		<title>Archive</title>
				
		<link>https://deanerdmann.xyz/Archive</link>

		<pubDate>Tue, 18 Nov 2025 02:22:18 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

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	<item>
		<title>38</title>
				
		<link>https://deanerdmann.xyz/38</link>

		<pubDate>Tue, 18 Nov 2025 02:22:24 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

		<guid isPermaLink="true">https://deanerdmann.xyz/38</guid>

		<description>, 38,
&#60;img width="7953" height="5302" width_o="7953" height_o="5302" data-src="https://freight.cargo.site/t/original/i/3307658921272c83a6a88b47a8875ffaf75aa2ec2d5a776d326709c47fa435fc/DE-9.jpg" data-mid="240765342" border="0"  src="https://freight.cargo.site/w/1000/i/3307658921272c83a6a88b47a8875ffaf75aa2ec2d5a776d326709c47fa435fc/DE-9.jpg" /&#62;38 consists of a body of work that arose from erdmann's interest and research into Magnus Hirschfeld's das Institut für Sexualwissenschaft and its voluminous influence on queer histories.

Hirschfeld was a pioneering sexologist based in Berlin during its Weimar period, while it was still mostly governed by Prussian officials. This period between WWI and the rise of the Nazi party provided Hirschfeld some small degree of respite from the German penal code, Paragraph 175 (introduced in 1871, only fully revoked in 1994), which criminalized all homosexual activity, yet was enforced with less rigor in the larger cities of the region, Berlin in particular. 

The institute was founded in 1919 as an epicenter for the study of sex, sexuality, gender and the stratification of identity. It wasn't only a site of theoretical study, but for the practice of psychiatric and internal medicine, too, including the first male to female sex reassignment procedures. Just as significantly, it was an expansive social sphere and residence for the various subcultures it offered visibility to. At different times figures such as Walter Benjamin and Christopher Isherwood lived there.

On May 6, 1933 the Institute was ransacked in an organized attack by right wing students who were accompanied by a brass band to celebrate their explosion of violence. Hours later, Nazi stormtroopers came and pillaged over 20,000 of the compiled books, files, and texts that constituted the Institute's library. These were later destroyed publicly in a bonfire. The title of the erdmann's exhibit, 38, refers to a number of books that have been recovered in the decades since. It's a number that slowly continues to expand as volumes from private collections, and other locations that had been hidden or salvaged, resurface. The original books are housed by the Magnus Hirschfeld Gesellschaft, an active space in Schoneberg that's run by a community of dedicated volunteers. 

 

&#60;img width="4829" height="7243" width_o="4829" height_o="7243" data-src="https://freight.cargo.site/t/original/i/7f509f702ba3becb4c4571f6199b263bb7a9ad9babfe58e6b5e8ee931dd2ab83/DE-7.jpg" data-mid="240765340" border="0"  src="https://freight.cargo.site/w/1000/i/7f509f702ba3becb4c4571f6199b263bb7a9ad9babfe58e6b5e8ee931dd2ab83/DE-7.jpg" /&#62;&#60;img width="7961" height="5307" width_o="7961" height_o="5307" data-src="https://freight.cargo.site/t/original/i/14484661ea2f4037ec3f7333a261457014d16535a384bf57de3e112767ff5a36/DE-8.jpg" data-mid="240765341" border="0"  src="https://freight.cargo.site/w/1000/i/14484661ea2f4037ec3f7333a261457014d16535a384bf57de3e112767ff5a36/DE-8.jpg" /&#62;

38, LOUCHE OPS BERLIN, 2024&#38;nbsp;
exhibition text</description>
		
	</item>
		
		
	<item>
		<title>Untitled Amateur Lesbian Video II (After Bathroom Sluts)</title>
				
		<link>https://deanerdmann.xyz/Untitled-Amateur-Lesbian-Video-II-After-Bathroom-Sluts</link>

		<pubDate>Tue, 18 Nov 2025 02:22:27 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

		<guid isPermaLink="true">https://deanerdmann.xyz/Untitled-Amateur-Lesbian-Video-II-After-Bathroom-Sluts</guid>

		<description>Untitled Amateur Lesbian Video II (After Bathroom Sluts), 2018. HD Digital video from digitized VHS tape, 6 minutes.&#60;img width="1067" height="600" width_o="1067" height_o="600" data-src="https://freight.cargo.site/t/original/i/c639323c6b35459e420199d9ebe2be49a34e3a3533579a4294b958a07ff6b90c/Amateur2sm.jpg" data-mid="240765367" border="0"  src="https://freight.cargo.site/w/1000/i/c639323c6b35459e420199d9ebe2be49a34e3a3533579a4294b958a07ff6b90c/Amateur2sm.jpg" /&#62;&#60;img width="1067" height="600" width_o="1067" height_o="600" data-src="https://freight.cargo.site/t/original/i/d60c46f22f7841cef85a72e5891f0da4385c5ecdad774ae12e0403590ca8899a/Amateur1sm.jpg" data-mid="240765368" border="0"  src="https://freight.cargo.site/w/1000/i/d60c46f22f7841cef85a72e5891f0da4385c5ecdad774ae12e0403590ca8899a/Amateur1sm.jpg" /&#62;</description>
		
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		<title>Untitled</title>
				
		<link>https://deanerdmann.xyz/Untitled</link>

		<pubDate>Tue, 18 Nov 2025 02:22:27 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

		<guid isPermaLink="true">https://deanerdmann.xyz/Untitled</guid>

		<description>&#60;img width="485" height="365" width_o="485" height_o="365" data-src="https://freight.cargo.site/t/original/i/204ade4ed4cab666dc0cfa9cb047926969f5dae56aabf2b64aecd5d60e152553/1-Untitled-09.28.14.png" data-mid="240765369" border="0"  src="https://freight.cargo.site/w/485/i/204ade4ed4cab666dc0cfa9cb047926969f5dae56aabf2b64aecd5d60e152553/1-Untitled-09.28.14.png" /&#62;&#60;img width="959" height="722" width_o="959" height_o="722" data-src="https://freight.cargo.site/t/original/i/6171c812d3668e82fb685d2b039d8cb59020af9e099c80fc722a9432e5c43b0a/3-Untitled-12.08.14.png" data-mid="240765370" border="0"  src="https://freight.cargo.site/w/959/i/6171c812d3668e82fb685d2b039d8cb59020af9e099c80fc722a9432e5c43b0a/3-Untitled-12.08.14.png" /&#62;&#60;img width="163" height="278" width_o="163" height_o="278" data-src="https://freight.cargo.site/t/original/i/fda14eb2d0cdbb657972abcc6fb66f20621f7e249346e2a3072a9f70d364ba67/Erdmann5.png" data-mid="240765371" border="0"  src="https://freight.cargo.site/w/163/i/fda14eb2d0cdbb657972abcc6fb66f20621f7e249346e2a3072a9f70d364ba67/Erdmann5.png" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/541dff0322cfd50f3acda563420415ff1bef9da4f6c28d3021c68a74c02b558c/form_03.jpg" data-mid="240765372" border="0"  src="https://freight.cargo.site/w/800/i/541dff0322cfd50f3acda563420415ff1bef9da4f6c28d3021c68a74c02b558c/form_03.jpg" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/8dc8b509e2be3b6edf570069f57794f36b189455d52391c5b3b5e52555ed699c/form_05-1.jpg" data-mid="240765373" border="0"  src="https://freight.cargo.site/w/800/i/8dc8b509e2be3b6edf570069f57794f36b189455d52391c5b3b5e52555ed699c/form_05-1.jpg" /&#62;</description>
		
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		<title>Reproducciones</title>
				
		<link>https://deanerdmann.xyz/Reproducciones</link>

		<pubDate>Tue, 18 Nov 2025 02:22:28 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

		<guid isPermaLink="true">https://deanerdmann.xyz/Reproducciones</guid>

		<description>&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/4fa86bf1c8aebf989ff1967c259faed51271f1f5ffc07df9ee44d73a45e0ea94/04_Reproducciones_Install_o.jpg" data-mid="240765375" border="0"  src="https://freight.cargo.site/w/1000/i/4fa86bf1c8aebf989ff1967c259faed51271f1f5ffc07df9ee44d73a45e0ea94/04_Reproducciones_Install_o.jpg" /&#62;</description>
		
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		<title>COSMOS</title>
				
		<link>https://deanerdmann.xyz/COSMOS</link>

		<pubDate>Tue, 18 Nov 2025 02:22:29 +0000</pubDate>

		<dc:creator>Dean Erdmann copy 1</dc:creator>

		<guid isPermaLink="true">https://deanerdmann.xyz/COSMOS</guid>

		<description> &#60;img width="1778" height="1000" width_o="1778" height_o="1000" data-src="https://freight.cargo.site/t/original/i/14b214f34546c5bae1f62885d4df713f87eb4f5113f3169dd9de67cc7a34e284/D77c_o.jpg" data-mid="240765376" border="0"  src="https://freight.cargo.site/w/1000/i/14b214f34546c5bae1f62885d4df713f87eb4f5113f3169dd9de67cc7a34e284/D77c_o.jpg" /&#62;&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/cebbb69190c04a9c40e36ff6a1ea56c6fd19d1e80d297df0fde2985744289ecd/D127b_o.jpg" data-mid="240765377" border="0"  src="https://freight.cargo.site/w/1000/i/cebbb69190c04a9c40e36ff6a1ea56c6fd19d1e80d297df0fde2985744289ecd/D127b_o.jpg" /&#62;&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/24d701ceed3f8d113618e1cc1d4bd21edbb5cd449c12cd2daf1a651f0c31cd7f/D201b_o.jpg" data-mid="240765378" border="0"  src="https://freight.cargo.site/w/1000/i/24d701ceed3f8d113618e1cc1d4bd21edbb5cd449c12cd2daf1a651f0c31cd7f/D201b_o.jpg" /&#62;&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/bfc1bb9ba33406df7c4e8a0ce1032eb4d4e6127dc71dc3059fb1b29640941266/D195b_o.jpg" data-mid="240765379" border="0"  src="https://freight.cargo.site/w/1000/i/bfc1bb9ba33406df7c4e8a0ce1032eb4d4e6127dc71dc3059fb1b29640941266/D195b_o.jpg" /&#62;&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/0b4f82a02eadb0a557bfed8e2e85e1a78a2e0bccb9973e6072864aa181763ed1/D98c_o.jpg" data-mid="240765380" border="0"  src="https://freight.cargo.site/w/1000/i/0b4f82a02eadb0a557bfed8e2e85e1a78a2e0bccb9973e6072864aa181763ed1/D98c_o.jpg" /&#62;


2011
TRT: 7 Minutes

Composed of discarded bus windows from the LA public transit system and created by making high-resolution scans of each window, this archive of mark-making documents the ephemeral choreography of the body moving through the city’s complex network. 


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